How old is turntable fm

Even an antediluvian Mark Zuckerberg popped into the "Coding Soundtrack" room at one point. Chatboxes buzzed with ebullient discussion sprouting from the music playing and pure online energy. Room members could thumbs up and down picks, and a moderator might boot a DJ from the decks for playing too many duds or RickRolling the crowd.

Prefiguring the streaming ecosystem to come, gatherings were often tailored to genre, situation, or vibe; popular rooms documented by The New York Times one July afternoon included "Indie While You Work" and "Endless Bar Mitzvah. Ashton Kutcher, Jimmy Fallon, and the managers for Lady Gaga and Madonna came aboard as enthusiastic financial backers. One indie label was reportedly using a Turntable room to audition unsigned bands. Turntable simply brought both of those concepts online for the first time.

The site developed an especially fervent following among independent music makers and aficionados. In , Adam Downey, co-founder of the avant-garde label Northern Spy Records, was feeling nostalgic for the road trips he'd taken with college buddies in the early 00s. There's nothing better than listening to music with other people that are engaged in active listening. For other fans, Turntable offered a way to cope with isolation. In the summer of , Maya Kosoff, who now works as a writer and editor, was bored.

Like many college students summering in parental homes, she was temporarily dislocated from her community of friends—and at only 19, she couldn't go out to bars to entertain herself. She was, as she puts it, "a little bit of a power Tumblr user" at the time, and one of her internet friends invited her to come hang out in a Turntable room. For the next few months, three or four nights of the week, she and a cadre of Tumblr friends would occupy a Turntable room for several hours until early in the morning.

For one, the platform required constant, active attention—selecting tracks, chatting, rating others' picks—a mode of engagement that was out of step with the rising popularity of passive streaming services. It demanded all of your attention, all the time, just like a game. Spotify now has a large enough audience that building an app on top of the platform guarantees that you have an audience of more than million people.

Not to mention, more and more music is available on the platform. In , that is the case less and less often. Companies like Dubset are working with labels and rightsholders to allow more of these unofficial remixes to end up on platforms like Spotify and Apple Music.

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Call it a comeback: Turntable. As you can see from the above shot, the offering is based on the same format as Turntable. DJs play songs on the stage and the audience bops their heads in approval if they like it. One of the ways the new offering is looking to distinguish itself is through hosted DJ sets from artists. As a fan of Turntable.