When was optical art most popular

Op Art profoundly influenced advertising, fashion, and interior design as well, before fading in the early s. Victor Vasarely is considered to be one the most important representatives of optical painting.

He took inspiration and orientation from theories of the Bauhaus, Suprematism, and geometric abstraction. His paintings aimed at forcing people out of their visual comfort zone with the pleasant tension created by apparently moving images that steer their minds towards doubt and new ideas.

He wanted to bring life into everyday life with the play of colors and shapes, immersing himself in the world of optical art experiments. Bridget Riley is one of the best-known Op Art painters, famous for her striking murals composed of multiple stripes which create optical illusions for the viewer. Her black and white geometric patterns explore the dynamism of sight and produce a disorienting effect on the eye, creating an illusion of movement and colour.

For their hallucinatory, disorientating and thought-provoking works, those who shaped or were inspired by the Op Art movement deserve recognition. Movement in Squares Op Art, meaning 'Optical Art', gathered momentum as a movement in the s. An explosion of bright, psychedelic colour, geometry and stimulating pattern, Op Art offers abstract compositions that engage the viewer by creating the impression of movement, whether this is through flashing, vibrating or swelling illusions.

However, their experiments with colour and geometry have inspired the work of many other artists. Here's an exploration of the work of these key figures, and a look at those who were inspired by similar principles and techniques.

Bridget Riley b. Bridget Riley Fall offers the viewer a true optical illusion — the longer we look at the piece, the more distorted our vision becomes. Cascading illustrative lines ripple down the piece, in a curving and swirling dance of black emulsion.

Fall In the late s, Riley began to experiment with colour. Having previously found comfort in the strict binaries between black and white, she was cautious with colour, something she felt offered less stability. However, she eventually embraced this instability, creating the illusion of movement through an exploration of form, space and colour.

Cataract 3 Hungarian-French artist Victor Vasarely — is considered a paternal figure in the history of Op Art. He originally began studying Medicine at university but abandoned this in in order to learn the techniques of traditional academic painting.

In he enrolled in a private art school to concentrate on applied art and typographical design. Interested in graphic design, and the ways in which art could communicate messages, Vasarely started to experiment with abstraction, reducing his work to simple textures and patterns. Iaca — Iaca incorporates opposing circular shapes with horizontal and vertical lines, creating the impression that these shapes are patiently rotating, as if hung from the ceiling on a mobile and spinning in a cross-breeze.

His piece makes use of visual kinetics, the study which relies on the viewer perceiving a piece as if it were moving. Curling layers of spray-painted chrome encroach on a central panel of polished stainless steel. Asymmetric folds bring to mind a pile of schoolchildren's paintings drying at the back of a classroom, curling at the edges under the weight of thickly applied acrylic.

Dream Baby Dream Yet these peeling layers are the work of no young child, but contemporary installation artist Jim Lambie b. The color may be chromatic identifiable hues or achromatic black, white, or gray. Even when color is used, they tend to be very bold and can be either complementary or high-contrast. Op Art typically does not include the blending of colors. The lines and shapes of this style are very well defined. Artists do not use shading when transitioning from one color to the next and quite often two high-contrast colors are placed next to each other.

This harsh shift is a key part of what disturbs and tricks your eye into seeing movement where there is none. Op Art embraces negative space. In Op Art—as in perhaps no other artistic school—positive and negative spaces in a composition are of equal importance. The illusion could not be created without both, so Op artists tend to focus just as much on the negative space as they do the positive.

Actively scan device characteristics for identification. Use precise geolocation data. Select personalised content. Create a personalised content profile. Measure ad performance. Select basic ads. Create a personalised ads profile. Select personalised ads. Apply market research to generate audience insights. Measure content performance. Some of the Op Art examples may even cause queasiness or discomfort, but they definitely push the boundaries of our perception. Often brought down by the art critics, this artistic movement is a truly unique form of expression, one which requires a high level of precision and calculation in order to produce the effect it is meant to.

Originating in the midth century, Op Art was brought to life and developed by the likes of Victor Vasarely , Bridget Riley , Richard Anuszkiewicz and many others. It caught the eye of the public in with the exhibition titled The Responsive Eye , organised by William C.

It may have been short-lived, but this intriguing art form was, and still is, very significant. Here, we will take a look at 10 Op Art artists who contributed greatly to the exploration of our visual abilities in the artistic movement that is Optical Art.

Widely considered as one of the forefathers of Op Art movement , Victor Vasarely struggled to create a universal visual language that could be understood by everyone. The French-Hungarian artist sought to produce an engaging approach to art which was deeply social. He managed to accomplish this through geometric abstraction, which gave birth to the short-lived movement of Op Art. The principle of internal geometry in the natural world is one of the motifs that Victor Vasarely pursued throughout his career.

His illusions of depth, motion, and three-dimensionality laid the ground for the future Op-artists. With pure form and color being the focus points of his oeuvre, Richard Caldicott produces his work in a painstaking way which involves cutting and assembling of the paper in the physical realm before taking a photograph of the work. This London-based Op Art artist creates artwork with different materials, often experimenting with the techniques of drawing, photography and sculpture.

The Italian-born artist, Marina Apollonio is one of the internationally recognized representative figures of the Op art movement. Marina grew up in an artistic surrounding and quite early she developed a passion for perception and visual communication. Marina shared a desire for depersonalization in art with other Op Art members, as opposed to the concept of expressive abstraction.

She explores the various ways in which elementary forms and structures may appear.